Music can be such a revelation.
My good friend Susan asked a question on Twitter:
Ok peeps! What was your favorite song in highschool? What was your song at Prom?
— Susan Porter (@susellwrites) April 17, 2012
She then wrote this blog post rounding up the answers.
See, to me, those were two different, and almost impossible to answer questions that couldn't possibly be related. My favorite song in high school? It changed daily, all four years. There's no way I could narrow it down to just one song. As for the prom question, I didn't go to prom, because I didn't know any women. I went to an all-male high school. Sure, other people in my school went to prom with girls. Those other people weren't socially inept. At that time in my life, I didn't even know how one went about finding women. The library? Convenient stores? *shrugs*
[Note: Thinking about this, I also inadvertently answered a tweet from my good friend, Katie:
In which part of your life are you a chronic over-compensator?
— Kate Djupe (@tokatefromkate) April 23, 2012
98% of my friends, and people I talk to, are women. In high school, and the first years of college, that was probably less than 1%. There is my overcompensation.]
Now, where was I? Oh, yes: music. My whole life, I've thought that I was born at the wrong time, in regards to my musical tastes. Really early in life, I was exposed to the musical taste of mainly my father, who would create the 8-track mixtures played in the car during our road trip vacations (my dad despised flying). My dad mixed genres like no other. For example, a single tape could have songs of the following performers:
Elvis
Frank Sinatra
Doris Day
The Beatles
David Soul…you know, the guy from Starsky & Hutch.
ABBA
Looking back, it was the weirdest mashup of songs and artists ever. But that's what I grew up listening. My dad was also an avid record collector. No, really. We're talking hundreds and hundreds of records. But he wasn't a completist, like a lot of people are. Some collectors want to have every album from a particular artist. Not my dad. He would just have random records, records that he liked.
With that background info, you can almost see how I would have some strange taste in music. In my early teens, I think I listened to whatever anyone listened to: Michael Jackson. If you weren't around back then, it was this strange universal thing: everyone liked Thriller. Everyone. It was ubiquitous. Of course, most pop music at the time was…because it's pop music. POPular music. I liked everything that I was exposed to on the radio and MTV…because those were the only places you heard/saw new music.
I started high school, and that's when things got strange…or stranger. By this time, I was already a big fan of The Smiths, so I don't have to talk about that. Just know that they've been in my head since the age of 12, when I bought "The Queen Is Dead" on cassette for my sister for Christmas…and subsequently listened to it over and over again. Best present I ever bought someone. So, besides that, I would get on these musical "kicks", like how you want to eat the same food over and over again for days or weeks.
The first two years of high school I was really into the British Invasion…of the 60's. I need to state the time period, because many consider the 80's as another time British bands invaded the US. I was really into all these 60's bands, and not The Beatles, strangely. I was really into The Hollies, after buying a greatest hits cassette I found on clearance.
I was also really into Herman's Hermits, The Dave Clark Five, Tom Jones, and others (especially The Zombies, with whom I rank right up there next to The Smiths as one of my top bands). I found a lot of these artists by rummaging through my dad's record collection in the basement, finding soundtrack LPs of movies I've never even heard of, but finding tracks on the album that I liked.
My third year in high school had me listening to The Style Council, Paul Weller's abrupt change of musical heart from his previous work with The Jam. I never really got into The Jam; I thought it was too noisy, too raw. But The Style Council, now this was stuff I could get into. Jazzy and soulful and modern; keyboards and a guitar and a voice, so simple.
Also, one of the weirdest videos ever. You know it's good when it makes you uncomfortable. Carl-ism #41.
I was also very much into The Housemartins, and The Beautiful South.
I don't know what it was. The simple chord progressions paired with witty political lyrics of The Housemartins? Heaton's nasally voice? A premonition that in 15 years I'll like the DJ work of The Housemartin's bass player, Norman Cook a.k.a. Fatboy Slim? The fact that The Beautiful South did a cover of Pebbles' "Girlfriend"? Who knows? I just remember pouring over the record sleeves, trying to get as much information about the band as I could from the lyrics and the credits in fine print.
My senior year in high school: it was all about disco. At the time, everyone I knew was listening to Nirvana's Nevermind. And here I was, listening to obscure Donny & Marie disco songs. I mean, I listened to disco a lot as a kid, mainly because my parents were into it. My mom used to have "disco dance parties" where friends of the family would come over and learn new disco dance moves. My parents took me to see Saturday Night Fever in the theater; I was 4. I know, right? So, it's not like this was some new music to me. But honestly, it was. Listening to disco at the age of 17 is way different than at the age of 4. Again, I searched the stack of 45's my dad had in the basement, looking for any disco song I could find. I hooked up the 8-track player to the stereo, and started dubbing cassettes of the disco mixes my dad had on 8-track. I played these cassettes in my car every day as a drove to and from school. As a graduation present, my sister gave me an original cassette tape of the Saturday Night Fever soundtrack that she found (which, apparently, was a rare find, as anything disco related was non-existent at that time). Why disco? Why not? I was just so enamored with the beat, and the instrumentation, and beautiful lyrics hidden behind the guise of a throwaway song you're just supposed to dance to.
My answer to Susan's question about the prom song was "More Than A Woman" by the Bee Gees. It's so good.
But, there were actually two different versions of that song on the Saturday Night Fever soundtrack. The other version was sung by Tavares. It's more upbeat, more of a soul-infused dancer.
To this day, I can still picture the scenes in the movie (that I saw when I was 4) where these songs are played. Did I mention I have a really good memory of stuff when I was younger?
Now you're probably thinking, "What the hell kind of weird stuff are you listening to these days???" Well, if you must ask, I am currently on another kick. I'm stuck on listening to children's 80's TV show Kids Incorporated's "lyrically inoffensive" versions of popular 80's songs sung specifically by Renee Sands/Renee Sandstrom. How's that for a genre? My favorite at the moment? A *clean* cover of Madonna's "Into The Groove":
I've been watching/listening to this song non-stop for a week so far. I don't know how I started up on the Kids Incorporated kick recently, but seeing this video brought up all these repressed memories about watching this show secretly (so no one would make fun of me), and how I was and still am in love with Renee. Seriously. From Kids Incorporated, to Wild Orchid, to her doing that song for the Camp Rock soundtrack, I am still so in love with Renee. But that's a whole other blog post. Also, the little blonde girl left of Renee? That's Fergie. You know, "My Humps" Fergie. No, really. That's her. Yeah, I don't know what happened either.


